Actually it was SHAKESPEARE IN LOVE that beat SAVING PRIVATE RYAN.capncrunch said:When that awful dreck Working Girl won an Oscar, it was clear that the Academy had its head up its collective ass. It was truly awful. Yes, Harrison Ford was in it, as was Sigourney Weaver. It still stunk.
Then when American Beauty won Best Picture over Saving Private Ryan, well, that just sealed it. AB was a good movie, absolutely, but wasn't even in the same league as SPR.
Gangs of New York was one of the last brilliant films I can remember.bullitt said:daniel day lewis in gangs from new york, and ben kingsley in sexy beast, just a couple of great performances that were overlooked.
Right on the money. A client of mine in the movie business said that to win you must keep in mind the magic 3: Jews, Gays, Extreme Leftism - pick any two.LuckyLuc said:There was a famous director, forget his name. Said in order to win the film has to be "artsy" and/or made/funded by a Jew (he was Jewish himself).
Haven't watched Tropic Thunder yet? It explains Sean's issue quite clearlyCycleguy007 said:I'm still trying to figure out how Sean Penn, DIDN'T get an Oscar for Sam I am... Incredible film, and a brilliant performance. (Not to mention, my ATF Michelle Pfeiffer looked fantastic in that film!)
You are joking right? A nomination for Gran Torino? Yeah right, you might as well give one for Jackass. That movie was lame in every aspect.Mia.Colpa said:3. Eastwood was great in Torino, not even a nomination, get real, probably his last flick.
I agree totally. Jackass was lame.Music_Box said:You are joking right? A nomination for Gran Torino? Yeah right, you might as well give one for Jackass. That movie was lame in every aspect.
Music_Box said:You are joking right? A nomination for Gran Torino? Yeah right, you might as well give one for Jackass. That movie was lame in every aspect.






