Never argue with an idiot, They will bring you down to their level and beat you with experience!
-TrackmastersMongrel4u said:LOL... I dont have time to look up all rappers who are skilled musicians but you can start with "The Roots", Flava Flav is quite good on piano, Missy Elliot is a decent Vocalist...
How many musicians in Rock, Country, jazz or what have you have trained at Juillard? Is it even necessary to go to a school like that to be good??? Just because you didnt go to a prestigious school that makes you less of a musician?
Just off the top of my head all these guys play instruments.The Cunning Linguist said:Remember, we're talking about "rap producers" here. Maybe I should have made myself more clear. But enlighten me. Name 10 rap producers that play an instrument and are competent at it. Name 2 who trained at a recognized school of music like Berkley or Juillard.
I am not sure I would call it silly. I agree that education is not a requirement to make "good music". However, training and theory are critical if you want to transcend a certain level.Back Burner said:The Berkley/ Juillard comment was just silly.
Back Burner said:Just off the top of my head all these guys play instruments.
The Neptunes
Scott Storch
Quest (The roots)
Timbaland
DJ Premier - one of the best ever plays guitar, drums, and keyboard.
J.Dila- mult insturments (RIP)
So think of this. I gave you 6 just off the top of my head.
The Berkley/ Juillard comment was just silly.
The Cunning Linguist said:Many "good" musicians are self taught. But in order to reach the next level of excellence, you need to study privately with a master, or attend a recognized school of music with an excellent faculty. You are not going to learn the things I spoke of jamming with your buddies in some garage, while scratching a record. Talent will only take you so far....then it's discipline, dedication to craft, and a good teacher. I used the names Berkley/Juillard just to illustrate a point as examples of excellent schools.
Yes a Children's cartoon that originated back when it was ok to be blatantly racist towards blacks so it wasnt a concern of theirs. It came from a time when blacks got paid less for the same work if they were lucky enough to even get it, had to sit at the back of the bus, couldnt drink from the same water fountain, was seen as "lesser", people would go around putting them down and calling them names like "spook", "jig", "nigger", "porch money", "yard ape", "coon", "wog", "jungle bunny", "spear chucker"...LancsLad said:Who else here is old enough to remember Noddy, with his Golliwog.
It was a childrens cartoon.
My how context changes over time.
LMAO I loved clerks.Andy Stitzer said:Randal Graves: Since when did porch monkey become a racial slur?
Dante Hicks: When ignorant racists started saying it a hundred years ago!
Randal Graves: Oh, bullshit! My grandmother used to call me a porch monkey all the time when I was a kid because I'd sit on the porch and stare at my neighbors!
Dante Hicks: Despite the fact that your grandmother used it as a term of endearment for you, it's still a racial slur! It'd be like your grandmother calling you a little kike!
Randal Graves: Oh, it is not. My grandmother had the utmost respect for the Jewish community. When I was a kid she told me to always treat the Jewish kids well, or they'd put the sheeny curse on me.
Dante Hicks: What the fuck, man?
Randal Graves: What?
Dante Hicks: Sheeny's a racial slur, too!
Randal Graves: Oh, it is not.
Dante Hicks: Yes, it is!
Randal Graves: She never called any Jews 'sheeny', she just used to say sheeny curse a lot. It was cute!
Dante Hicks: It wasn't cute! It was racist!
Randal Graves: I disagree, man, she was just an old timer, that's the way people talked back then! It didn't mean they were racist... but my grandmother did refer to a broken beer bottle once as a nigger knife... you know, come to think of it, my grandmother was kind of a racist.
Dante Hicks: You think?
Randal Graves: Well, I still don't think porch monkey should be considered a racial term. I've always used it to describe lazy people, not lazy black people! I think if we really tried, we could re-claim porch monkey, and save it.
Dante Hicks: It can't be saved, Randal! The sole purpose of its creation, the only reason it exists in the first place, it to disparage an entire race! And even if it could be saved, you can't save it because you're not black!
Randal Graves: Well listen to you! Telling me I can't do something because of the color of my skin! You're the racist! I'm taking it back, you watch!
[customers enter]
Randal Graves: Hey, what can I get for you, you little porch monkey?... Its cool, I'm taking it back.
Mongrel4u said:Yes a Children's cartoon that originated back when it was ok to be blatantly racist towards blacks so it wasnt a concern of theirs. It came from a time when blacks got paid less for the same work if they were lucky enough to even get it, had to sit at the back of the bus, couldnt drink from the same water fountain, was seen as "lesser", people would go around putting them down and calling them names like "spook", "jig", "nigger", "porch money", "yard ape", "coon", "wog", "jungle bunny", "spear chucker"...
So what would have been the big deal about "Noddy and his Goliwog" back then?
But I wouldnt expect you to fully understand that
Whoa. The best rock guitarists IMO would be eddie van halen, eric claption, joe satriani, jimi hendrix, jimmy page, pete townsend and keith richards.The Cunning Linguist said:Remember, we're talking about "rap producers" here. Maybe I should have made myself more clear. But enlighten me. Name 10 rap producers that play an instrument and are competent at it. Name 2 who trained at a recognized school of music like Berkley or Juillard.
What to look for is hard to define. Some rap is notable for it's message (e.g. public enemy as a popular example), some is known for it's catchiness/danceclub value (e.g. outkast), some is known for crossing genres (e.g. run dmc with it's rock/rap crossover), some is notable for repacking an old beat into a new song (e.g. p diddy), some is known for it's speed and play on words (e.g. eminem), some is known for it's mystique and protrayl of a life that is not known to most people (e.g. tupac and biggie and the whole thug thing).iamme said:Once again another person who says 'you have no clue' but doesn't explain what one should look for or seek out to try and understand rap or hip-hop or what ever you want to call it.
How about taking the time and explaining to me and the good folks here on TERB what to look for to appreciate and try to gain knowledge of your type of music? Or are you just here to say that anyone who expresses an negative opinion of rap and hip-hop are trolls and 'have no clue' ??
Based on what I've read here, I've started to form my own opinion of people who appreciate rap and hip hop, and believe me it isn't a good one! Which is too bad because I would like to think that there are some decent rappers and hip-hoppers on this forum.
Have a nice day l
Wow I guess you've never heard of groups like the Fugees who met in college and don't really sing about being thugs and intimidating.Gyaos said:Talking Fast in rap is not an art. A majority of wrappers, 97% of them are nothing but uneducated, abusers and terrorists. They think they can make a quick buck, get quick fame, doing nothing but talk in a mic, like it was a giant cock. They intimidate and harm. And the ONLY reason this is happening is the small amount of existing corporate executives in a dying music industry abuse the system allowing thugs and gang leaders to be in control as NO ONE is buying "pop music" anymore.
In fact pop music and rock music, today, sounds just like the 80's, 90's and 00's. The 50's don't sound like the 60's. The 60's don't sound like the 70's. 70's don't sound like the 80's. But the 80's, 90's and 00's all sound the same. Like a bear market.
Terrorists! All rappers are F'n terrorists, should all be arrested and thrown into Gitmo jail.
Rap is crap!
Gyaos Baltar.