A much needed Black Music thread.

ogibowt

Well-known member
Aug 3, 2008
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Sweet sublime Soul....i dont have this single..but i wish i found it years ago at Kopp,s Collectables
came up on my Facebook feed...thought i would share...this one is new to me

Got that Tyrone Davis,,Can i Change My Mind vibe
 
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ogibowt

Well-known member
Aug 3, 2008
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x this one and the one you posted are my favourite Ronnie songs...easily in my top 50 favs of all time...Goddammit her voice , is angelic.....Ronnieeeeeeeeeeeeeeeeeeee
 
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xmontrealer

(he/him/it)
May 23, 2005
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x this one and the one you posted are my favourite Ronnie songs...easily in my top 50 favs of all time...Goddammit her voice , is angelic.....Ronnieeeeeeeeeeeeeeeeeeee
Most of Spector's hits were recorded at Gold Star Studios, located in Hollywood, California.

The amazing echo effect, as very much heard on "Is This What I Get", was unique to Gold Star at the time.

From Wikipedia:

In the mid-1950s, aspiring pop star and future record producer Phil Spector began hanging out at local studios, including Gold Star, hoping to learn about recording. He eventually gained the confidence of Gold Star's house producer-engineer Stan Ross, who took Spector under his wing and taught him the basics of record production. In the early 1960s, Spector used Gold Star as the venue for most of his "Wall of Sound" recordings. It was also used for many important recordings by the Beach Boys, including portions of their 1966 LP Pet Sounds, the international #1 hit "Good Vibrations", and recordings for the aborted Smile project.

The studio was known for its echo chambers. According to Gold, who designed the chambers after years of research and experimentation, they were built in an area of about 20 ft (6.1 m) × 20 ft and were complementary trapezoids 18 ft (5.5 m) long. The walls were thick, specially-formulated cement plaster on heavy isolation forms. Entry into the chambers was through a series of 2 ft (0.61 m) by 2 ft doors, and the opening was only about 20 in (51 cm) wide and high.

Gold Star was responsible for what is believed to be the first commercial use of the production technique called flanging, which was featured on the single "The Big Hurt" by Toni Fisher, written and produced by Wayne Shanklin, who also originated the flanging technique. This was done by placing his thumb on the "flange" of the recording tape reel during vocal playback, which caused the flanging effect when mixed in with the original vocal track. Another of Gold's innovations was a small transmitter that allowed him to broadcast mixes so that they could be picked up on a nearby car radio, which was especially important to recording artists in the era when AM radio was the dominant broadcast medium.
 

K Douglas

Half Man Half Amazing
Jan 5, 2005
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Room 112
Bringing the Beastie Boys back. Pretty dope


 
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K Douglas

Half Man Half Amazing
Jan 5, 2005
30,402
11,992
113
Room 112
Not much for the newer r&b music but this one is tight. There's several remixes of this song but this one is the best for me.

Mario feat. Kehlani "Folded"
 
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