An excerpt from The Ronettes Wiki...
Phil Spector and Philles Records (1963–1966)
The Ronettes in 1966
In early 1963, fed up with
Colpix Records and the group's lack of success, sister Estelle placed a phone call to producer
Phil Spector and told him the Ronettes would like to audition for him. Spector agreed and met the women soon after at Mira Sound Studios in New York City. Later, Spector told Ronnie that he had seen them at The Brooklyn Fox several times and was impressed with their performances. At the audition, Spector was sitting at a piano, and when the group began singing "Why Do Fools Fall in Love", he suddenly jumped up from his seat and shouted: "That's it! That's it! That's the voice I've been looking for!"
After their successful audition, Spector decided to sign the group. Originally, he wanted to sign Ronnie as a solo act, until her mother told him either he signed the Ronettes as a group or it was no deal. He agreed to sign the group and instructed Ronnie's mother to inform Colpix Records that the women had "given up" on show business so the studio would release their contract. By March 1963, the group was officially signed to Spector's
Philles Records.
The first song the Ronettes rehearsed and recorded with
Phil Spector was written by Spector,
Jeff Barry, and
Ellie Greenwich called "
Why Don't They Let Us Fall in Love". They brought the women out to
California to make the record, but, once it was completed, Spector declined to release it. They recorded more songs for Spector, including covers of "
The Twist", "
The Wah-Watusi" (lead vocals by Nedra), "
Mashed Potato Time", and "Hot Pastrami". These four songs were released, but were credited to
The Crystals on their 1963 Philles LP
The Crystals Sing Their Greatest Hits, Volume 1.
"Be My Baby"[edit]
Main article:
Be My Baby
After having been denied a release of their song as well as having credit for their next four recordings go to another group, the Ronettes went to work on the Phil Spector/Jeff Barry/Ellie Greenwich song "
Be My Baby". The Ronettes recorded "Be My Baby" in July 1963, and it was released by August. "
Be My Baby" was a smash record for the Ronettes. Radio stations played the song throughout the fall of 1963, and the Ronettes were invited to tour the country with
Dick Clark on his "
Caravan of Stars" tour. "Be My Baby" inspired a legion of Ronettes fans, including
Brian Wilson of
The Beach Boys, who clearly intended "
Don't Worry Baby" as an homage to the group. By autumn that year, it was a Top 10 hit and peaked at number 2 on the
Billboard Top 100. "Our lives were turned upside down," Ronnie later recalled. "All the things I'd ever dreamed about were finally coming true."
"Be My Baby" was the first recording by
Cher, who performed back-up vocals with Estelle, Nedra, and
Sonny Bono. As the girlfriend of Bono, who was working for Phil Spector at the time, Cher was asked to join the back-up singers when one was a no-show. "'Be My Baby' was the first record I ever sang on," Cher later wrote. "I went out and stood in front of this big speaker and sang 'be my, be my baby' with the Ronettes and all these other singers." After "Be My Baby", Cher became a permanent back-up singer on recordings by the Ronettes, as well as other songs Phil Spector produced until "
You've Lost That Loving Feeling".
"Baby, I Love You"
Main article:
Baby, I Love You
After the overnight success of their first Phil Spector single, Spector was eager to do a follow-up with the Ronettes. He wrote "
Baby, I Love You", again with Jeff Barry and Ellie Greenwich, and urged the Ronettes to leave New York for California to record the song at
Gold Star Studios. A problem arose when the Ronettes were scheduled to leave for Dick Clark's "Caravan of Stars" tour across the United States. In lieu of having the Ronettes skip the Dick Clark tour, Spector decided Estelle and Nedra would do the tour with cousin Elaine, a former member of the group. Ronnie left for California to record "Baby, I Love You" with Darlene Love, Cher, and Sonny Bono subbing for Estelle and Nedra on back-up vocals. "Baby, I Love You" had an even denser arrangement, featuring
Leon Russell on piano. The song was recorded in the early fall of 1963 and released in November that year. It was slightly less successful than "Be My Baby" on the charts, reaching number 24 Pop, number 6 R&B in the United States and number 11 in the United Kingdom.