I'll read the piece. Don't have time right now.I admit that the band wagon is NFT as you say but as designed and still can be used they are IN the art itself. The art becomes a piece of crypto of itself. To copy it says the copy is the fake number 2 etc etc. only 01 is the Real one. Is it used by most this way? No but it is done and CAN be done. There are other benefits too - the art careers a record of proper owners as well. If someone uses your art all copies are informed of the illegal copy, instant detection of unauthorized coping.
The theory would be that like DVDs eventually only art as NFTs would be legal at all - google for example would auto delete all none NFT images from its search - a form of DRM.
Thus:
NFTs fulfil an authenticating function for a small fraction of digital art—digital images that “live” and circulate on the network. This ironically led to the now-common practice of artists and gallerists minting NFTs for stills or brief clips from more complex, often generative and interactive digital artworks that are available for lower prices than the excerpted images being offered as NFTs. Whether digital images benefit from the immutability provided by NFT authentication is yet another question. In his essay “The Work of Art in the Age of Digital Reproduction (An Evolving Thesis 1991-95)”, Douglas Davis makes a case for the originality of the moment when we copy and revise digital images whose power often resides in the possibility of remix and free circulation.
SEE
The Work of Art in the Age of Digital Reproduction
In this article, originally published in the MIT Press Journal Leonardo in 1995, Douglas Davis argues, "there is no longer a clear conceptual distinction between original and reproduction in virtually any medium."issuu.com
I don't see how your version would work or why it would need an NFT or blockchain to do it, but sure, I'll read the argument.
Is the piece you are taking these quotes from the piece linked to or is the piece linked to "The Work of Art in the Age of Digital Reproduction" which was apparently written in 1995 and obviously doesn't discuss NFTs?