Hello Gentlemen,
It's Asian Nicole. Before Xmas, my darling opera professor wanted to treat me something special...then he took me to the Princess of Wales Theatre, Toronto, to see the famous opera show Phantom which I was very eager to see.
The Phantom of the Opera returns to Toronto as a bonus show in 2015-2016 season of Mirvish Productions. Cameron Mackintosh’s production of the show brings audiences back to the musical that tells the story of a young opera singer and the reclusive and masked phantom that loves her. The show will be at the Princess of Wales Theatre from Dec 8th. 2015 to Jan. 23rd. 2016. And I highly recommended it.
We can certainly see why it remains booked night after night. Spectacular scenery and acting. Beautiful old theatre, very ornate. You will discover a darker, grittier 19th-century Paris and a more flesh-and-blood phantom. Our seats were orchestra seats which were quite close to the stage, and it was great to be able to see everything as the show's performance goes from the stage floor to the top of the proscenium.
The story is based on the gothic novel by French author Gaston Leroux. This new production doubles down on the spectacle, while offering all the music and classic moments that audiences expect. The music of the Phantom is marvelous! Goosebumps raised by the first powerful organ chords do not disappear until long after the very last note fades away. Unlike many musicals, the Phantom doesn’t employ the awkward, sing-song storytelling method. Each song advances the plot while still being a memorable and engaging piece on its own.
Although still glamorous, the set is meant to be a truer depiction of a 19th-century opera house. The phantom’s subterranean lair is a “magpie’s nest” of old props and a backdrop that he could have snatched from a contemporary production of Faust or Les Huguenots, set designer Paul Brown says, " We’re trying to avoid having a fancy dress party and make it much more of a masquerade ball. I wanted the delivery of the Phantom to be more extreme rather than just another costume at another ball.
An even fancier chandelier
What would Phantom be without an opulent chandelier?
The production boasts a new one created by the British engineer Howard Eaton, known for designing the fiery Olympic rings for the opening ceremony of the 2012 Games in London. It weighs one ton and has more than 6,000 beads. “It hangs above the audience like a Sword of Damocles. It’s a constant threat,” Brown say
"There are moments with the Phantom where it’s not just about romance and courting. It’s darker than that and slightly more dangerous," the show’s director, Laurence Connor says.
Overall, it was one of the best performances I have ever seen in my life! It touched my heart. It took me inside this story I felt like I was on the scene. It was amazing! Thank you so much for the wonderful evening, my darling opera professor! This show was spectacular, and I enjoyed it a lot!
It's Asian Nicole. Before Xmas, my darling opera professor wanted to treat me something special...then he took me to the Princess of Wales Theatre, Toronto, to see the famous opera show Phantom which I was very eager to see.
The Phantom of the Opera returns to Toronto as a bonus show in 2015-2016 season of Mirvish Productions. Cameron Mackintosh’s production of the show brings audiences back to the musical that tells the story of a young opera singer and the reclusive and masked phantom that loves her. The show will be at the Princess of Wales Theatre from Dec 8th. 2015 to Jan. 23rd. 2016. And I highly recommended it.
We can certainly see why it remains booked night after night. Spectacular scenery and acting. Beautiful old theatre, very ornate. You will discover a darker, grittier 19th-century Paris and a more flesh-and-blood phantom. Our seats were orchestra seats which were quite close to the stage, and it was great to be able to see everything as the show's performance goes from the stage floor to the top of the proscenium.
The story is based on the gothic novel by French author Gaston Leroux. This new production doubles down on the spectacle, while offering all the music and classic moments that audiences expect. The music of the Phantom is marvelous! Goosebumps raised by the first powerful organ chords do not disappear until long after the very last note fades away. Unlike many musicals, the Phantom doesn’t employ the awkward, sing-song storytelling method. Each song advances the plot while still being a memorable and engaging piece on its own.
Although still glamorous, the set is meant to be a truer depiction of a 19th-century opera house. The phantom’s subterranean lair is a “magpie’s nest” of old props and a backdrop that he could have snatched from a contemporary production of Faust or Les Huguenots, set designer Paul Brown says, " We’re trying to avoid having a fancy dress party and make it much more of a masquerade ball. I wanted the delivery of the Phantom to be more extreme rather than just another costume at another ball.
An even fancier chandelier
What would Phantom be without an opulent chandelier?
The production boasts a new one created by the British engineer Howard Eaton, known for designing the fiery Olympic rings for the opening ceremony of the 2012 Games in London. It weighs one ton and has more than 6,000 beads. “It hangs above the audience like a Sword of Damocles. It’s a constant threat,” Brown say
"There are moments with the Phantom where it’s not just about romance and courting. It’s darker than that and slightly more dangerous," the show’s director, Laurence Connor says.
Overall, it was one of the best performances I have ever seen in my life! It touched my heart. It took me inside this story I felt like I was on the scene. It was amazing! Thank you so much for the wonderful evening, my darling opera professor! This show was spectacular, and I enjoyed it a lot!
Last edited:
