The scene was born from a real-life experience Pesci had years earlier while working as a waiter. He had complimented a mobster by calling him "funny," and the man reacted with the same menacing, "What do you mean I'm funny?" response. Pesci later told this story to director Martin Scorsese and Scorsese told him to use it and not tell anyone. It was ad lib.
The scene is famous not just for its content, but for how it was made. Eastwood, directing, was faced with a sudden turn in the weather—15 inches of snow were forecast, which would ruin continuity. With no other option, he decided to shoot the entire two-day sequence in one single night. They started in the afternoon and wrapped at 5 a.m., with the rain freezing as it fell GIVING THE PERFECT backdrop.
This is a scene that critics and actors point to as one of the finest examples of acting on film in the last few decades. It's a single-take, five-minute sequence of two men sitting at a table, locking eyes, and speaking.
Menace II Society is my favorite hood flick. Larenz Tate was amazing as O-Dog. But my favorite scene from that one is this. So powerful.
The hunt is on, and you're the prey!
Man of Steel. Three scenes. When General Zod gets sent to the Phantom Zone. Superman learns to fly. When Superman saves Lois when she escapes from the escape pod.
Limitless. When Eddie Morra first experiences NZT-48.
Moneyball. Two scenes. When Pete first meets Beane and explains what is wrong with baseball. Pete's first day and explains his analysis to Beane.