Cover songs better than original

Daveboy

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I feel for you, writen and performed by Prince, in 1979, but I prefer the version by Chaka Khan, in 1984.
 

Haggy64

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Cover songs are a unique way to perform someone else’s tune. Cover songs are often better than the original
Billy Idol’s cover of Tommy James and the Shondels‘ Mony Mony! I love Tommy James version as well, but Billy punked it up a bit and I love it!

Phil Collins knocked “Groovy kind of love” out of the park! Originally done in the 60’s by Diane and Anita and Mindbenders.. Tough sledding for Phil these days 😕
 

ogibowt

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Billy Idol’s cover of Tommy James and the Shondels‘ Mony Mony! I love Tommy James version as well, but Billy punked it up a bit and I love it!

Phil Collins knocked “Groovy kind of love” out of the park! Originally done in the 60’s by Diane and Anita and Mindbenders.. Tough sledding for Phil these days 😕
Diane and Anita? Who are they?..wasn,t it Wayne Fontana and the Mindbenders?
i will be a littlle cruel here, because i know PC is not well...but his abomination of the Supremes hit You cant Hurry Love...leads me to believe that the song you mentioned is unlistenable
 

ogibowt

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okay i just googled Diane and Anita...i was mistaken...never heard that version ever lol
 
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Haggy64

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Diane and Anita? Who are they?..wasn,t it Wayne Fontana and the Mindbenders?
i will be a littlle cruel here, because i know PC is not well...but his abomination of the Supremes hit You cant Hurry Love...leads me to believe that the song you mentioned is unlistenable
Agree with you on Can’t Hurry Love, but love PCs version of Groovy Kind of Love, vastly improved over Mindbenders version
 

Nakedgta

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I think that often, covers give the artist a chance to clean up the sound quality and punch up the music to give it a fuller and more modern sound.

Case in point, I love Cher's voice and it brings the song to a new level with better music

The original hit version seems lacking instrumentally and was almost all vocals by comparison (IMHO) even though the lead vocal is strong but a bit screeching

The original version by Merry Clayton in '63 didn't even chart but was a big hit for Betty Everett
 

ogibowt

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I think that often, covers give the artist a chance to clean up the sound quality and punch up the music to give it a fuller and more modern sound.

Case in point, I love Cher's voice and it brings the song to a new level with better music

The original hit version seems lacking instrumentally and was almost all vocals by comparison (IMHO) even though the lead vocal is strong but a bit screeching

The original version by Merry Clayton in '63 didn't even chart but was a big hit for Betty Everett
im biting my tongue...but i will say this...Betty Everett has a great catalogue of music...i should know....i have a few 45,s singles of her in my collection....Cher?...no
but different strokes for different folks
 
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ogibowt

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this is one of the singles
i grew up loving this type of music...and i make no apologies about loving this kinda sound...
 
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xmontrealer

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im biting my tongue...but i will say this...Betty Everett has a great catalogue of music...i should know....i have a few 45,s singles of her in my collection....Cher?...no
but different strokes for different folks
Ogi, I agree. Betty's version sounds more "of its time" to me, and more "correct".

And it's the version that takes me back and lifts me up...

from Wikipedia, for context:

Betty Everett version
Background
Calvin Carter, the chief A&R man for the Chicago-located Vee-Jay Records, found "It's in His Kiss" while visiting New York City in search of material for the Vee-Jay roster which included Betty Everett. After Everett had a hit with another song Carter brought back from New York City, "You're No Good", Carter suggested Everett cut "It's in His Kiss" as the follow-up single. Everett – who found the song puerile – reluctantly agreed. The accompanying vocals on Everett's recording were provided by Vee-Jay session regulars the Opals, a trio of teenage girls (Rose "Tootsie" Addison, Myra Tilliston, and Rose E. Kelley) from East Chicago, Indiana.

Dave Marsh in his book The Heart of Rock and Soul opines that Betty Everett's version, "while [credited] as a solo performance is one of the finest girl group hits, undoubtedly the best one made outside the genre's New York City-Philadelphia-Los Angeles 'axis'".

Reception
Everett's version of "The Shoop Shoop Song" reached No. 6 on the Billboard Hot 100 chart in April 1964: at the time, Billboard was not publishing its R&B chart, but her cover was a No. 1 R&B hit according to Cash Box. In international release, Everett's "The Shoop Shoop Song" was also a hit in Australia reaching No. 21. It reached No. 2 on the New Zealand Lever Hit Parade chart. It was initially overlooked in the UK, although Everett's minor 1965 U.S. hit "Getting Mighty Crowded" (No. 65) would reach No. 29 there. In 1968, the label President Records reissued both songs on one single, with "The Shoop Shoop Song" as the A-side, which peaked at No. 34. In Canada, it reached No. 5.
 
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ogibowt

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the cover...it,s subjective to which one you like....you may not even like either....but i admit nakedgta triggered me....im defending one of my ALF..on a hooker review board...an artist who passed away decades ago.............but great music is timeless
 

xmontrealer

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Nobody can beat the original David Ruffin era Temptations version of "Ain't Too Proud To Beg", but here's an interesting cover:

 
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