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RIP Franco Zeffirelli, revered Italian director

Zaibetter

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Mar 27, 2016
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Plebs may not recognize Zeffirelli, but he's a very big name in the movie industry...



Franco Zeffirelli, one of Italy’s most revered artistic figures, has died at the age of 96.

In a career spanning more than 60 years, Zeffirelli was staggeringly prolific and equally celebrated as a director of films, theatre and opera. Several of his stage productions became successes on screen – most notably a vibrant version of Romeo and Juliet which starred a young Judi Dench at the Old Vic in London and led to an Oscar-winning box-office smash in the late 1960s.


Franco Zeffirelli – a life in pictures
Shakespeare inspired other hit movies for Zeffirelli: The Taming of the Shrew with Elizabeth Taylor and Richard Burton, Hamlet with Mel Gibson and Glenn Close, and a film of Verdi’s Otello with Plácido Domingo. His lavish opera productions brought sensational performances by Joan Sutherland and Maria Callas; 25 years after the latter’s death he directed a biopic, Callas Forever, starring Fanny Ardant. His filmed operas reached large TV audiences and he was celebrated as a great populariser.

Zeffirelli believed he had inherited his passion for music from his grandfather, a conductor. He was born on 12 February 1923 and raised in Florence, the illegitimate son of a fashion designer, Alaide Garosi Cipriani, and wool merchant Ottorino Corsi, both of whom were married to other people. He was named by his mother after a line about zeffiretti (breezes) in a Mozart aria. Cipriani, whose career was damaged by the scandal, died when her son was six and he was taken in by his aunt.

His passion for theatre was sparked as a child during holidays spent in Tuscany where he saw performances by travelling players. “I’ve never believed anything at the theatre as much as the fantasies those storytellers brought us,” he wrote in his autobiography.

He attended a Roman Catholic school in Florence where he said he was sexually assaulted by a priest. When the second world war broke out, he joined the partisan effort, twice escaped death by firing squad and became an interpreter for the Scots Guards. In the postwar years he switched from plans to be an architect and began a career as an actor in radio productions, including a role alongside Anna Magnani in L’Onorevole Angelina. Many years later, he would direct Magnani’s return to the stage in the long-running show La Lupa.

https://www.theguardian.com/stage/2...firelli-revered-italian-director-dies-aged-96
 

SeizeThe Day

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Mar 12, 2019
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So he was not a so-called "neo-realist" then (like the famous immediate post war film about a stolen bike, then ending of which left me so sad and somewhat confused as to the ultimate point intended)?
 

Insidious Von

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Sep 12, 2007
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Franco Zeffirelli was a classicist from Florence. He is as famous for his opera productions as his films. He's put together productions for La Scala to The Met.

His Romeo and Juliet from 1968 is considered a classic, not to be confused with my direct paisan Vittoria De Sica who directed Il Ladri di Biciclete (Bicycle Thieves) who also mentored Sergio Leone.
 

Zaibetter

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Mar 27, 2016
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So he was not a so-called "neo-realist" then (like the famous immediate post war film about a stolen bike, then ending of which left me so sad and somewhat confused as to the ultimate point intended)?
That was a good movie If you don't want to read the whole thing just scorll down to below the picture of him and son sitting on the sidewalk. It tells you why it ends like that.
https://movies.stackexchange.com/questions/15734/why-did-bicycle-thieves-end-so-abruptly
 

SeizeThe Day

Member
Mar 12, 2019
180
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That was a good movie If you don't want to read the whole thing just scorll down to below the picture of him and son sitting on the sidewalk. It tells you why it ends like that.
https://movies.stackexchange.com/questions/15734/why-did-bicycle-thieves-end-so-abruptly
I have been waiting 30 years for an answer to that. What a damn smart group of guys!!

Can I bump for a moment and give anyone another movie challenge. What precisely is "rosebud" supposed to stand for in Citizen Kane. It appears in general that he had an unhappy childhood in the movie and it made the protagonist a less rounded person as an adult. But I keep wondering if something more specific was intended, socially as the film sadly cuts to his childhood sled??

[Apologies to the OP for going beyond Italian culture. Just pls don't call me a shill, like the rough crowd in the asian massage section of the board. lol]
 
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