VI - Not going to quote your Westworld S2 (#52) post as there are a lot of spoilers in there. Sure it aired, but this thread is all over the map in-terms of subject, and I personally would regret spoiling the experience for someone who’s holding off for one reason or another.
Evan Rachel Wood is great, but if you only see the show as ‘worthy of her talent’ while ignoring the pedigree and performance of Ed Harris, Thandie Newton, Tessa Thompson and Jeffrey Wright (and the obvious other heavyweight), we definitely have different tastes in talent.
Zahn McClarnon was excellent, and I’d say has a very substantial role. He had almost an entire bottle-episode to himself, for which I’d bet he’ll get an Emmy.
The lesser Scarsgard, like the lesser Hemsworth, is a B-actor surrounded by all-stars. I’m glad I saw them as little as I did. Then again, I stopped watching Vikings a couple years ago mid-season.
And as for the lesser Nolan, Jonathan co-wrote Memento, The Prestige, The Dark Knight, The Dark Knight Rises and Interstellar with Christopher. I’m not sure I’d look to Inception and Dunkirk as evidence that there is only one talented Nolan brother. I don’t follow celebrity gossip, but show-running is a full-time job, and this project has been going since 2014. Have they split or are they working on different projects?
If you watched season 2 and came to absolute conclusions about who is and who isn’t ‘alive,’ we were definitely watching a different show. Particularly in-light of the post-credit MIB sequence.
This was a bold season. Episodes like The Riddle of the Sphinx, Akane No Mai and Kiksuya went completely against the grain for a show that seemingly relied on big reveals involving main characters to move plot forward. Those episodes barely moved storylines ahead, focused on minor or new characters and were probably 3 of the best episodes on TV of the year.
If anything, HBO needs to trust in the co-creators’ vision as they usually do.
This isn’t for everyone, but the critics that HBO makes its shows for like it a lot, and so do I.
My single biggest criticism for the year is not shutting the door completely on resurrection for hosts or humans or human-host hybrids with the Cradle/Forge storylines. What made GoT great was that death was permanent (until season 6). I’m still a bit confused on what Tessa Thompson’s character did with the coordinates, and how that plays into the final Jeffrey Wright scene, but I’m sure I’ll re-watch soon.